Monday, 22 April 3016

Repost Alltiartion Template

Template Alliteration. Needs to be altered.
Alliteration in Poems
Look at this sentence, what can you see?
Dozy Doug dug a deep ditch.
Most of the words start with the same letter, D. This is called
alliteration.
Task One
Here are some sentences for you to complete. The end word is missing
each time. Can you fill in the missing word, thinking about alliteration as
you fill it in.
For example:
Twenty terrible
tigers.
1.
One awful ....... .
2.
Two horrid ....... .
3.
Three smelly ....... .
4.
Four frightened ....... .
5.
Five frisky ....... .
6.
Six smiley ....... .
7.
Seven sickly ....... .
8.
Eight evil ....... .
9.
Nine naughty ....... .
10.
Ten trembling ....... .
Task Two
Can you think up some four-line verses that show alliteration in each line.
The lines do not all have to be based around the same letter. Your verses
can be about anything you like; school, animals, sport etc.
For example:
Big Bad Ben
In the playground he pushes, pinches and pulls people,
He’s always naughty and nasty – not nice to know.
He bounces boys back and forth
And burps and belches at bell-time!
See if you can make a few little verses like these.
Challenge
Can you find examples of alliteration in any of the poems we have read as
a class, or in poems you have read yourself.
Write down a few examples of lines from poems that show alliteration.
(Make sure you write down which poem they are from please.)

Friday, 3 April 2026

Star Wars Draft



Tracked Comparison: Zero Draft → Expanded Blog

SectionZero DraftExpanded BlogNotes on Changes/Additions
TitleThe Moral Cosmos of Star Wars: Droids, Force, and Ethical WeightThe Moral Cosmos of Star Wars: Force, Sentience, and the Ontology of DroidsAdded “Sentience” and “Ontology of Droids” to foreground metaphors and deeper philosophical framing.
OpeningDiscusses moral universe, slavery, and sentience.Adds explicit “thinking aloud” approach, sets expectation for open-ended exploration, emphasizes metaphors and ethical complexity.Sets tone for blog as exploratory, not just analytical.
Luke Skywalker and Moral Blind SpotsNotes Luke’s selective morality, attachment to droids, complicity in slavery.Adds Rebel Alliance system critique, “Blue Skywork,” and Confederacy metaphor to illustrate systemic slavery; emphasizes personal vs. structural morality.Metaphor and historical analogy introduced; nuance of systemic vs. personal morality added.
Droids as Sentient BeingsHighlights intelligence, emotion, partial agency, and ethical tension; pre-2015 discussions mentioned.Adds zombie metaphor for ontologically muted intelligence; contrasts with vampires for biologically evil beings; elaborates on programming vs. social conditioning; more on Expanded Universe.Metaphorical framing deepens ethical discussion; more speculative and philosophical.
Force Sensitivity as Moral AxisForce-sensitive beings = soul, moral weight; Force-insensitive beings = muted ethics.Adds yin-yang/light-dark framing; emphasizes cosmology as justification for ethical blind spots; links to ontological significance and spiritual weight; emphasizes that intelligence alone is insufficient.Introduces cosmological framework as ethical justification; builds bridge between metaphysics and ethics.
Open Questions / Ethical ImplicationsRaises speculative questions: can droids acquire Force, is ignoring intelligence a moral error?Expanded with four possible perspectives: Ethical Naturalism, Instrumental Moral Value, Human Moral Projection, Religious Ontology as Justification; explicitly explores tension between intelligence and Force-soul; invites readers to think without conclusions.Structured multiple viewpoints; deeper speculative reasoning added.
Metaphorical & Cosmological IntegrationNot present.Fully developed: axes of Force-souled life, Force-insensitive sentient life, biologically corrupted life, simulated/functional intelligence; integrates metaphors (zombie, vampire, Confederacy).Added new section to organize metaphors and conceptual hierarchy; central to blog framework.
Reconciling Modern Ethics with Star Wars CosmologyNot present.Discusses 21st-century ethical lens, structural sin of ignoring intelligence, Force-soul as mitigating factor; ethical tension explained; bridges fictional universe and modern moral reasoning.New critical analysis layer; explicitly addresses modern vs. in-universe ethics.
ConclusionSummarizes speculative exploration of morality, droids’ status, Force-soul ethics.Adds emphasis on open-ended exploration, invites reflection on metaphors, moral weight, and speculative reasoning; ties back to all metaphors.Reinforces blog’s exploratory “thinking aloud” style; integrates metaphors and conceptual frameworks.

Summary of Key Additions

  1. Metaphors Introduced

    • Confederacy → Rebels as morally good but complicit in slavery.

    • Zombies → Droids as intelligent but ontologically muted.

    • Vampires → Dark Side-aligned beings, biologically evil contrast.

  2. Expanded Ethical Framework

    • Multiple perspectives on ethics, Force-sensitivity, and intelligence.

    • Speculative questions with no firm conclusions.

  3. Cosmology / Ontology

    • Force-soul as central axis of moral significance.

    • Hierarchy of moral weight: Force-souled, Force-insensitive, corrupted, simulated intelligence.

  4. Narrative Style

    • Open-ended, thinking-aloud, reflective tone.

    • Exploratory rather than prescriptive.

  5. Word Count

    • Zero draft: ~900–1,000 words.

    • Expanded blog: ~4,000 words.



Wednesday, 15 October 2025

 

Metaphor, Simile & Onomatopoeia:

  • Figurative Language (Katherine Dobbie) MS Powerpoint
  •  Comparisons (Debby Michael) MS Powerpoint
  • Similes and Metaphors (Scott Haxton) MS Powerpoint
  • Moon Poetry (Liz McMenamin) Smart Notebook (zipped)
  •  Onomatopoeia (Michelle Haskew) PDF
  •  Simile Man (Sheila Black) PDF
  •  Similes (Delyth Jones) DOC
  •  Metaphors and Similes (Michelle Haskew) PDF
  •  Similes (Lizanne Franklin) DOC
  •  Similes Reference (Lizanne Franklin) DOC
  •  Simile and Metaphor Cards (Jemma Leach) DOC
  •  Figurative Language (Hannah Smith) DOC
  •  Animal Sounds (Emma Bentham) DOC
  • The Colour of Darkness (Flora Day) DOC
  • The Waiting Game (Flora Day) DOC
  •  Similes and Metaphors (Andrew Hoyle) DOC
  • Personification (Lucy Rotherham) MS Powerpoint
  • Simile or Metaphor (Cathy Drage) MS Powerpoint
  •  Personification (Lara J Brown) MS Powerpoint
  •  Personification (Janice Wade) MS Powerpoint
  • Simile (Jim Usher) 
  • Similes and Metaphors (Lindsay Carmichael) MS Powerpoint
  • Metaphor (David Cross) 
  • Monster Simile Poem (Lindsay Carmichael) MS Powerpoint
  •  Similes (Yasmeen Usman) MS Powerpoint MS Powerpoint
  •  Onomatopoeia (C Evans) HTMLPDF
  •  Onomatopoeia (Paul Cockcroft) HTML / PDF
  •  Simile Cards (Delyth Jones) DOC
  •  Similes and Metaphors (Paul Cockcroft) HTML / PDF
  •  Similes (Helen Gambon) DOC
  • Onomatopoeia Song (Jim Shaw)  
  •  Figurative Language (Afshan Siddiqui) DOC

 




Master Watch Log (Alphabetical, Narrative Style)

Gilmore Girls – Season 1, Episode 2: “The Lorelais’ First Day at Chilton” (2000)
Watched: 2025 (assumed). Major stars include Lauren Graham, Alexis Bledel, Kelly Bishop, and Edward Herrmann. Estimated production cost: $1–2 million per episode. Distributed by The WB. Rating: ⭐ Good. Interesting trivia: This episode establishes the fast-paced, witty dialogue and the close mother-daughter relationship central to the series. Introduces the prestigious private school Chilton, highlighting class differences that become recurring themes. Known for pop-culture references, including early nods to music, literature, and lifestyle trends of the late 1990s and early 2000s.

Jack Ryan (2018)
Watched: Incomplete (2025 assumed). Major stars include John Krasinski, Wendell Pierce, and Abbie Cornish. Estimated production cost: $8–10 million per season. Distributed by Amazon Prime Video. Rating: 😐 Okay (incomplete). Interesting trivia: Based on Tom Clancy’s iconic spy character, the series takes a more procedural, television-friendly approach. Considered lighter and less engaging than the Jack Ryan films, which are generally viewed as more exciting spy thrillers.

The Walking Dead: World Beyond (2020)
Watched: 2020–2021 (as released on Amazon). Major stars include Alexa Mansour, Nicolas Cantu, Aliyah Royale, and Hal Cumpston. Estimated production cost: $5–7 million per season. Distributed by AMC / Amazon streaming. Rating: 👎 Poor to 😐 Okay at times. Interesting trivia: Considered the weakest entry in The Walking Dead universe. Characters criticized as underdeveloped and lacking depth. Explored younger survivors and expanded franchise lore but struggled with pacing and narrative stakes.

The Wheel of Time (2021)
Watched: 2021 (first season, at time of release). Major stars include Rosamund Pike, Josha Stradowski, Marcus Rutherford, and Zoë Robins. Estimated production cost: $10–15 million per season. Distributed by Amazon Prime Video. Rating: 👎 Bad to Horrible. Interesting trivia: Based on Robert Jordan’s high-fantasy novels. Despite large budgets and high-profile casting, the first season was widely criticized for pacing issues, uneven performances, and confusing adaptation choices.

Upload (2020)
Watched: 2020–2025 (each season as released). Major stars include Robbie Amell, Andy Allo, Allegra Edwards, and Kevin Bigley. Estimated production cost: $6–8 million per season. Distributed by Amazon Prime Video. Rating: ⭐ Very Good. Interesting trivia: Offers a satirical take on corporate and tech culture in a futuristic afterlife. Created by Greg Daniels (The Office, Parks and Recreation), praised for depth and sharp corporate satire. Each season was watched as it was released.

WPC 56 (2013)
Watched: Incomplete (2025 assumed). Major stars include Olivia Vinall, David Leon, and Janet Montgomery. Estimated production cost: £1–2 million per season. Distributed by BBC One. Rating: 😐 Okay (incomplete). Interesting trivia: Set in 1956, follows the first female police constable in a small Midlands town. Features period costumes and authentic 1950s settings, exploring gender and societal challenges.

You, Me, Her (2016–2020)
Watched: Incomplete (watched as released on Amazon). Major stars include Greg Poehler, Rachel Blanchard, and Priscilla Faia. Estimated production cost: $2–3 million per episode. Distributed by Audience Network / streaming platforms. Rating: ⭐ Good (incomplete). Interesting trivia: Explores a polyamorous relationship dynamic with humor and heart. Praised for character-driven storytelling and relatable relationship conflicts.

Younger (2015)
Watched: 2025. Major stars include Sutton Foster, Hilary Duff, Debi Mazar, Miriam Shor, and Nico Tortorella. Estimated production cost: $3–4 million per episode. Distributed by TV Land / Jax Media. Rating: ⭐ Good. Interesting trivia: Hilary Duff previously worked on a movie filmed in Toronto with the log’s contributor and had prior collaboration connections with Sutton Foster around 2004. Created by Darren Star (Sex and the City) and filmed on location in New York City.

Yes Man (2008)
Watched: 2025 (assumed). Major stars include Jim Carrey, Zooey Deschanel, Bradley Cooper, and Rhys Darby. Directed by Peyton Reed. Estimated production cost: $70 million. Distributed by Warner Bros. Pictures. Rating: ⭐ Good. Interesting trivia: Loosely based on Danny Wallace’s 2005 memoir of the same name. Marks a return to Jim Carrey’s comedic style while blending romantic comedy with light self-help satire. Some scenes filmed in Los Angeles landmarks, including the Hollywood Bowl and the Korean Friendship Bell.

The Happy Hooker Goes to London (1977)
Watched: Not yet (to watch). Stars include Martine Beswick, Robin Askwith, and Xaviera Hollander. Estimated production cost: Modest for 1970s sex-comedy films. Distributed by Cannon Films. Rating: TBD. Interesting trivia: Based loosely on Xaviera Hollander’s real-life exploits. Noted for campy British humor and over-the-top performances. Hollander rose to fame with her 1971 memoir The Happy Hooker, which chronicled her experiences as a call girl in New York City.





Saturday, 31 May 2025



La vérité cachée sur les enfants en difficulté

The hidden truth about struggling children


Sentence 1

French: Les enfants sont malins.
English: Children are clever.

  • malins = clever, smart (basic adjective)

  • Simple present tense.


Sentence 2

French: Pas pour faire du mal, mais pour se protéger.
English: Not to do harm, but to protect themselves.

  • faire du mal = to do harm

  • se protéger = to protect oneself (reflexive verb)


Sentence 3

French: Quand quelque chose ne va pas, ils ne disent souvent rien.
English: When something is wrong, they often say nothing.

  • quelque chose = something

  • ne va pas = is not going well

  • ils ne disent rien = they say nothing


Sentence 4

French: Ils cachent le problème.
English: They hide the problem.

  • cacher = to hide

  • Simple present tense


Sentence 5

French: Ils jouent un rôle.
English: They play a role / pretend.

  • jouer un rôle = to pretend or act


Sentence 6

French: Et parfois, les adultes ne voient rien… jusqu’à ce qu’il soit trop tard.
English: And sometimes, adults see nothing… until it’s too late.

  • parfois = sometimes

  • jusqu’à ce que = until (used with subjunctive)

  • il soit = subjunctive of "être" (to be)

  • Advanced: just note this is a complex structure; learners can understand the meaning without mastering it yet.


Sentence 7

French: Par exemple : la vue.
English: For example: vision.

  • la vue = eyesight, vision


Sentence 8

French: Beaucoup d’enfants qui ont de mauvaises notes ne sont pas paresseux.
English: Many children who have bad grades are not lazy.

  • beaucoup de = many

  • mauvaises notes = bad grades

  • paresseux = lazy


Sentence 9

French: Ils ne voient pas bien.
English: They do not see well.

  • voir = to see

  • bien = well


Sentence 10

French: Ils plissent les yeux.
English: They squint.

  • plisser les yeux = to squint


Sentence 11

French: Ils copient sur un camarade.
English: They copy from a classmate.

  • copier sur = to copy from

  • camarade = classmate


Sentence 12

French: Ils écoutent beaucoup.
English: They listen a lot.

  • écouter = to listen

  • beaucoup = a lot


Sentence 13

French: Ils devinent.
English: They guess.

  • deviner = to guess


Sentence 14

French: Et ils disent toujours : « Je vois bien. »
English: And they always say: “I see well.”

  • toujours = always

  • je vois = I see


Sentence 15

French: Pourquoi ?
English: Why?

  • Easy question word.


Sentence 16

French: Parce qu’ils mentent.
English: Because they lie.

  • mentir = to lie (irregular verb)


Sentence 17

French: Pas méchamment.
English: Not meanly.

  • pas méchamment = not in a mean way

  • méchant = mean, bad


Sentence 18

French: Souvent, ils ont peur.
English: Often, they are afraid.

  • ils ont peur = they are afraid

  • Uses avoir (to have) for expressing fear


Sentence 19

French: Ils ne veulent pas déranger.
English: They don’t want to bother.

  • vouloir = to want

  • déranger = to disturb, bother


Sentence 20

French: Ils pensent que c’est normal de voir flou.
English: They think it’s normal to see blurry.

  • penser que = to think that

  • flou = blurry


Sentence 21

French: Ils font tout pour paraître normaux.
English: They do everything to seem normal.

  • faire tout = to do everything

  • paraître = to seem

  • normaux = plural of "normal"


Sentence 22

French: Et vous leur faites confiance.
English: And you trust them.

  • faire confiance à quelqu’un = to trust someone

  • leur = to them


Sentence 23

French: Alors vous les croyez.
English: So you believe them.

  • croire = to believe

  • les = them (object pronoun)


Sentence 24

French: Mais le problème reste.
English: But the problem stays.

  • rester = to remain, to stay


Sentence 25

French: Ce n’est pas juste pour les yeux.
English: It’s not just about the eyes.

  • ce n’est pas juste = it’s not just

  • pour les yeux = about the eyes


Sentence 26

French: Un enfant peut être harcelé et rester silencieux.
English: A child can be bullied and stay silent.

  • harcelé = bullied

  • rester silencieux = stay quiet


Sentence 27

French: Un autre peut avoir mal ou être très fatigué.
English: Another may be in pain or very tired.

  • avoir mal = to hurt

  • fatigué = tired


Sentence 28

French: Un autre peut avoir des troubles et les cacher.
English: Another may have problems and hide them.

  • avoir des troubles = to have difficulties

  • les cacher = to hide them


Sentence 29

French: Les enfants s’adaptent.
English: Children adapt.

  • s’adapter = to adapt (reflexive verb)


Sentence 30

French: Ils apprennent à faire semblant.
English: They learn to pretend.

  • faire semblant = to pretend


Sentence 31

French: Ils sont très bons pour cacher ce qu’ils ressentent.
English: They are very good at hiding what they feel.

  • cacher = to hide

  • ressentir = to feel


Sentence 32

French: Les adultes doivent faire attention.
English: Adults must pay attention.

  • devoir = must

  • faire attention = pay attention


Sentence 33

French: Regardez si l’enfant change.
English: Watch if the child changes.

  • regarder = to watch

  • changer = to change


Sentence 34

French: Si les notes baissent.
English: If grades go down.

  • baisser = to go down, drop


Sentence 35

French: S’il devient triste ou silencieux.
English: If he becomes sad or quiet.

  • devenir = to become

  • triste = sad

  • silencieux = quiet


Sentence 36

French: S’il donne de drôles d’excuses.
English: If he gives strange excuses.

  • drôle = funny / strange

  • excuses = excuses


Sentence 37

French: L’amour est important.
English: Love is important.

  • Very basic sentence


Sentence 38

French: Mais il faut aussi agir.
English: But we must also act.

  • il faut = one must / we must

  • agir = to act, to do something


Sentence 39

French: Poser des questions.
English: Ask questions.

  • poser une question = to ask a question


Sentence 40

French: Faire un test de vue.
English: Do a vision test.

  • faire un test = to do a test


Sentence 41

French: Parler à un médecin ou à un professeur.
English: Talk to a doctor or a teacher.

  • parler à = to talk to


Sentence 42

French: Parfois, une simple paire de lunettes peut tout changer.
English: Sometimes, a simple pair of glasses can change everything.

  • parfois = sometimes

  • tout changer = change everything


Sentence 43

French: L’enfant voit mieux.
English: The child sees better.

  • voir mieux = to see better


Sentence 44

French: Il apprend mieux.
English: He learns better.

  • apprendre mieux = to learn better


Sentence 45

French: Il est heureux.
English: He is happy.

  • heureux = happy


Sentence 46

French: Mais il ne vous le dira pas.
English: But he won’t tell you.

  • dire = to tell

  • vous le dira = will tell it to you


Sentence 47

French: C’est à vous de le voir.

Saturday, 18 January 2025

Tuesday, 25 April 2017

PDF on Blog

Embedding a PDF or other Documents into a Blogger Blog

From time to time we may be sent or create a document in Word or PDF or even Powerpoint format that we would like to display on our blog. (It's a common question that comes up a lot in the Blogger Help Forums).

This simple and quick guide will take you through the process.

So read on...

1) We want to upload our file to Google Docs. So goto https://docs.google.com/

Note: Depending on if you use Google Drive the screenshots may say either Google Drive or Google Docs. They are in essence the same thing.

2) Click the Upload Icon and select files.


3) Pick the PDF or other file you want to embed and click Open


4) You'll be presented with a confirmation box. Press the Start Upload button.


5) You'll be presented with an Upload Progress box


6) When that has finished click the filename.


7) This will load the File into your Google Doc/Drive screen. Now we need to "Share" the file so that it will be visible to your readers on your blog. Click the Blue Share button at the Top Right.


8) You will then be presented with the Share Dialogue screen. Click the Change link.

Monday, 1 August 2016

Nouns are a person, a place or a thing. CCircle the correct noun(s) in each sentence.


Nouns are a person, a place or a thing.
CCircle the correct noun(s) in each sentence.
 
The cat is purring.
 
The boy kicked the ball.
 
Sam plays with his friend Ben.
 
The bus stops at the red light.
 
We saw tigers at the zoo.
 
These flowers are beautiful.


  I ate cake.

I ate a hotdog.

He eats cake.

The cat eats a cake.

The dog eats a cake.

The dog eats the cat.

The cat eats a mouse.

The cat eats a white mouse.

A big cat eats a mouse.

 A small cat eats a mouse.  

Sunday, 24 July 2016

Quotes

"A good story is like a good bowel movement: it's only really satisfying once it's ended. Because if you just keep going, then eventually your body runs out of shit and moves on to pushing all of your internal organs out of your sphincter, until only a foul-smelling shell remains, and anyone who wants to get in on your incredibly long poo gets turned off, because they need to have gone through all of the poo up to that point to have the necessary context and this is where the analogy is breaking down somewhat."

Thursday, 14 July 2016

Cubic centimeter(cm(3))

Homework of Umaer

A,B,C


A)acute angel: An angle that measures less than 90 degrees.
Acute angle triangle: A triangle with only acute angles.
Addend: A number that is added to another number.
Algorithm: A series of steps you can use to carry out a procedure.
Analog clock: A clock that measures time using rotation hands.
Angle: An Amount of turn measured in degrees.
Area: the Amount of space a surface covers, measures in space unit.
Array: A rectangular arrangement of object or pictures in rows and columns.
Attribute: A characteristic or quality that can be used to describe and compare things.
Average: One piece of data that is a good overall representative of all of the pieces of data in a set; there are different types of averages.
Axis: A horizontal or vertical line in a graph, labeled with words or numbers to show what the line, bars, or pictures in the graph mean.
B)Bar graph: A way to show and compare date that uses horizontal or vertical bars.
Base: The face on which a 3D shape is resting, the face that determines the name and the number of edges of a prism or pyramid, the line segment at the bottom of a 2D shape.
Base ten  blocks: Blocks that represent numbers as hundreds, tenths, ones, tens, hundreds, thousands, and so on.
Biased results: Survey results for part of a group that are not likely to apply to the rest of the grupe.
Broken line graph: A graph in which data point are connected point to point.
C)Capicity: The amount that a container will hold; common units of measurement are litres (l) and milliliters(ml)
Cell: A box in a spreadsheet or table.
Centimeter(cm): A unit of measuring for length, one hundred of a metre
1cm=10mm,
100cm=1m
Centre of rotation: The point that a shape rotates around.
Century: A unit of measurement for timer; 100 years.
Certain outcome: A result that will always occur.
Chance: The likelihood that a particular event will occur.
Circle graph: A way to show data that used parts for a circle to represent parts of the set of data.
Circumfurence: The distance around a circle.
Clockwise (cw): The direction the hands of an analog clock move.
Closed: having no end points.
Column: A set of items lined up vertically.
Con cave: Curved  or pointed inwards.
Congruent: Identical in size and shape.
Convex: Curved or pointed outwards.
Coordinate grid: A grid with horizontal and vertical lines numbered in order.
Coordinate pair: A pair of numbers that describes a point where vertical and a horizontal line meet on a coordinate grid; the coordinate from the horizontal axis is always written first.
Counterclockwise (ccw): the oppposite  direction from clockwise.
Cube: A 3D shape with six congruent square faces.
Cubic centimeter(cmз): A unit of measurement for volume; the volume occupied by a cube with edges all 1cm.

Saturday, 9 July 2016

Can we get something to eat?

I'll wait for you outside.

Where do you want to go?

I want to see a movie.

What time will the mall close?
 
Pouvons-nous obtenir quelque chose à manger ?

Je vais attendre pour vous à l'extérieur .

Où veux-tu aller?

Je veux voir un film.

Quelle heure le centre commercial va fermer ?

Name: __________________________________
Poetic Devices Worksheet 2

Directions: Read the lines of poetry. Slashes represent line breaks. Identify two or more poetic techniques being used in each example and write them on the line. There may be more than two techniques being used. In the boxes below, explain each of your answers.

Answers: Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, Rhythm

1. Amid this hot green glowing gloom
A word falls with a raindrop's boom....

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

How do you figure?
Explain how you got your answer





2. The little clattering stones along the street
Dance with each other around my swimming feet;

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

How do you figure?
Explain how you got your answer





3. Click-clack, click-clack, the hour is chill,
The dead coach climbs the distant hill.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

How do you figure?
Explain how you got your answer





4. Pounded on the table, / Beat an empty barrel with the handle of a broom,
Hard as they were able, / Boom, boom, BOOM,

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

How do you figure?
Explain how you got your answer





5. O'er leagues of land and water a weary way you'll go
Before you'll find the country where the blue roses grow.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

How do you figure?
Explain how you got your answer




6. On the sidewalk boys are playing marbles. Glass marbles, with amber
and blue hearts, roll together and part with a sweet clashing noise.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

How do you figure?
Explain how you got your answer





7. A strange wind rattled the window-pane, and down the lane a dog howled on,

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

How do you figure?
Explain how you got your answer





8. Two brown ponies trotting slowly
Stopped at the dim-lit trough to drink.
The dark van drummed down the distance slowly,

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

How do you figure?
Explain how you got your answer





9. All his thoughts as a river flowed,
Flowed aflame as fleet he rode,

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

How do you figure?
Explain how you got your answer





10. The beating hearts of the stars aloof
Kept time to the beat of the horse's hoof.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

How do you figure?
Explain how you got your answer





11. Fast, and fast, by the road he knew;
And slow, and slow, the stars withdrew;

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

How do you figure?
Explain how you got your answer




12. Out of the purple drifts,
From the shadow sea of night,
On tides of musk a moth uplifts
Its weary wings of white.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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13. Bees that from the meadows bring
Honey on a golden wing
To the garden grot.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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14. Springtide of Love! The secret sweet
Is ours alone;
O heart of Love, at last you beat
Against my own!

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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15. Through the black night
Love's little lantern, like a glowworm's bright,
May lead our steps to some stupendous dawn.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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16. My heart it was a white, white rose
That bloomed upon a broken bough,
He did but wear it for an hour,
And it is withered now.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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17. Only a dog's long lonely howl
When from the window poured pale light.
And from the wood
The hoot came ghostly of the owl.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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18. Sun shine, moon shine,
Stars, and winds a-blowing,
All into this heart of mine
Flowing, flowing, flowing!

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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19. The flaming flower of daytime died,
And the night was as a new bride

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Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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20. Only the lull I like, the hum of your valved voice.

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Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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21. The rafters creak; an empty cupboard door
Swings open; now a wild plank of the floor
Breaks from its joist, and leaps behind my foot.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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22. Forgotten as a fire that once was singing gold,
Let it be forgotten forever and ever,
Time is a kind friend, he will make us old.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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23. Kiss, clink of glasses, laughter heard,
And nightingales quite undeterred.

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Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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24. All round the yard it is cluck, my brown hen,
Cluck, and the rain-wet wings,
Cluck, my marigold bird, and again
Cluck for your yellow darlings.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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25. And under and under,
The wind booms.
It whistles, it thunders,
It growls--it presses the grass
Beneath its great feet.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

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26. The skaters skim over the frozen river.
And the grinding click of their skates as they impinge upon the surface,
Is like the brushing together of thin wing-tips of silver.

Which techniques are being used (list two or more)? ________________________________________________

Alliteration, Consonance, Onomatopoeia, Repetition, Rhyme, and/or Rhythm

How do you figure?
Explain how you got your answer